Afterglow
The brief asked for a product film. We argued for a portrait instead, and shot the whole piece in available light across two nights, using the salt flats as the only set. The product appears twice.
Two nights, one walk
We built the entire film around a continuous walk from the drying pans to the water line. Everything else (the interiors, the hands, the close work) was shot to cut into that walk without breaking its rhythm. No lights were brought to location.
“They came back with something we could not have written a brief for. We have used it in every room since.”
Northbound